Posts Tagged ‘installation’

Here as promised are details of the artworks featured in my last post. Because I drifted around snapping only the pieces that immediately appealed to me without taking much notice at the time  of pricing, this year’s selection has turned out to be rather over the top from a financial point of view.  Apart from a couple. But there is art available at the Royal Academy that wouldn’t break the bank…so if you get the chance to see for yourself, then I’d recommend getting a ticket.

image

“ALL THE FISH IN THE SEA” by David Mach, RA £56,000

 

image

“MIGRATION” by Cathy de Monchaux £35,000

 

image

“GOLDENGROVE” by Christopher le Brun £168,000

 

image

“SATCHEL” and “LIBERTY BODICE” by Valerie Bradbury £500 each

 

image

“VENICE TRIPTYCH” by Ken Howard RA £20,000

 

image

“SPRING GARDEN, UNDER FROST” by Frederick Cuming RA £25,000

 

image

“SNOW IN HYDE PARK” By Ken Howard RA £38,000

 

image

“AVOCADO COCONUT EGG (ACE) by El Anatsui Hon RA Price on application!

 

image

“KOZANJI: WINTER FIRE” by Ian MacKenzie Smith £4,000

Now, since I went to the exhibition and made my selection and with the Olympics about to burst forth, I settled down the other night and watched an interesting documentary about Tom Daley, Britain’s high-diving medal hope. When I next looked at that last painting, above, all I can see now are a pair of blue Speedo’s and some yellow legs behind a wafting scarlet scarf. Funny how perceptions can be changed, isn’t it?

Oh, and if I were to make a choice and money was no object, then from the above selection I’d probably go for Frederick Cuming’s ‘Spring Garden, Under Frost.’ (I like the colours which remind me slightly of a Patrick Procktor painting a friend once owned).  I discounted the bottle top wall-hanging on account of its size and also because I imagine it would need dusting. Ever practical when it comes to housework avoidance, you see!

The Summer Exhibition  runs until 21 August. Galleries open at 10.00am until 6.00pm, late evenings till 10pm on Fridays and Saturdays.

 

 

 

 

 

Read Full Post »

image

Last Saturday we went to the Tower of London to view the much heralded installation Blood Swept Lands and Seas of Red, commemorating one hundred years since the start of the First World War.

This extraordinary art work by ceramic artist Paul Cummins, in collaboration with stage designer Tom Piper, has captured our nation’s imagination and as we emerged from the underground station at Tower Hill it was apparent that we would not be alone. The place was heaving but well organised, good natured and almost quiet. As we stood on the steps gazing at the spectacle I was able to take a few snaps which I later edited to remove the tops of people’s heads in front of me.  During the summer and until today, 888,246 ceramic poppies have been planted in the moat – each one commemorating a British life lost in the conflict. Now complete, hardly a blade of grass can be seen between this ceramic sea of red: it’s a wonderful yet sobering sight.

The poppies were sold, raising millions of pounds for British service charities, and will later be distributed to their owners once the installation is removed. Originally it was due to be dismantled the day after Armistice Day on 11th November but it’s now rumoured that because of unprecedented public interest part of the display will remain until the end of the month.

Later on the same day, once home and in front of the television, we watched the annual Remembrance Service from the Royal Albert Hall in London. Included this year was a folk song, written and sung by Jim Radford, a veteran of the D-Day landings. Jim was a fifteen year old galley boy on 6th June 1944.  His song is a poignant reminder of the terrible events of that day seventy years ago which helped to turn the tide of war.  It sums up the whole theme of remembrance and is well worth a listen, if you can spare seven minutes.

 

Read Full Post »