Posts Tagged ‘Teddy Bears’

I come from a family of collectors. When we were children my mother went through phases of collecting different things – piggy banks, china cottages, pill boxes. At the moment I have my suspicions that her assortment of teddy bears is getting larger – she can’t pass a forlorn little furry face without rescuing it from a shop shelf and bringing it home to join the others for a bit of tender loving care. Dad amassed tools. He had a workshop built onto the back of the kitchen which he filled with screwdrivers, chisels, tins of nails and tacks, hammers, saws for any eventuality, bits of wood (my sister and I were always accompanying him to the wood yard), planes, drills, attachments, cans of oil, string and goodness knows what else. Glue. He had a lot of glue.

Dad's workshop looked a little like this

Dad’s workshop looked a little like this model from Brooklands Museum in Surrey

So, as a child, I began collecting things. Shells from days at the beach; bus tickets, theatre tickets and programmes; pencils (I was always buying pencils with pocket money); Enid Blyton books; note pads and drawing paper. I hoarded them all. Imagine my excitement, at around the age of nine or ten, when someone sent me a chain letter with promises of postcards from every corner of the world. All I had to do was send a postcard from my village to the unknown person at the top of the attached list and forward the letter to six friends. Which I dutifully did and then waited with delicious anticipation for my exponential pile of postcards to arrive, once my name had moved to the top of the list. I waited and watched the doormat under the front door every day for the post to arrive. For weeks. After an eternity, three cards dropped through the letter box. Two were from England, one from Wales. And that was it. Forever. No four corners of the earth for me. It was probably this one event that triggered my long-term cynical outlook on life.

My sister and I moved onto other things. We began collecting badges: the cloth ones that could be sewn onto an anorak – rather like those earned in the Brownies or Guides but since neither of us lasted very long in that particular institution we decided to create our own sleeves of honour. These were very popular decades ago, there being no such thing as designer logo back then. We’d buy them on our holidays – woven badges depicting a county, or a particular town or historical place. This was a craze that only lasted as long as the anorak fitted. My sister went on to accumulating  wrapped sugar lumps which she stored in an old cigar box. I think that’s when I gave up and became a minimalist. My brother, in the meantime, was collecting football cards.

I did, however, accumulate a variety of pigs at one point. I made the mistake of admitting I liked them, found them misunderstood and quite cute which was like opening the floodgates for every Christmas and birthday thereafter. They ended up stuffed in a box and then farmed out to charity shops.

So I don’t think I’m really a collector of things. A collector has to be dogged; determined and should enjoy displaying (and dusting) whatever it is that’s being sought. When Son was learning the clarinet at around the age of eleven, we had to visit the home of the piano accompanist who would take him through his music exam rehearsal. Her home was full of frogs. Everywhere. Wooden, knitted, metal, fabric, macramé. On cushions, tea towels, on teacups and saucers. There were pictures on the walls of frogs and she had stone ornaments of them in various poses in her garden. This was extreme collecting. To be honest, it was creepy. She even looked a little amphibian herself. I was glad when the half hour session was over.

Is storing one’s own stories collecting, do you think? If it is, then I am still a collector of sorts. Trawling through my computer files this week, I came across this 300 flash, written some time ago in response to “Theft” – a creative writing prompt.

Mavis opened the battered leather case and stroked the faded purple velvet into which the six silver apostle spoons were nestled. They were perfect; just in need of a shine. Holding her polishing cloth in one hand, she took one of the spoons in the other and twirled it around on the cloth until the little figure shone with a soft glow as she rubbed the tarnish away. She would check the hallmark later in the little reference book Mr Hennessy had given her, after she had expressed an interest one morning, whilst wiping his mantelpiece.

Of course when Mr Hennessy died suddenly, a couple of years ago, it had come as a shock. Mavis had worked for the Hennessy’s for years but she was even more shocked when, continuing her employment, she discovered that Mrs Hennessy had no taste, preferring to display garish china dogs rather than the beautiful pieces of silver Mr Hennessy had collected over the years. She found his collection one morning, stuffed into the back of the sideboard, unloved and forgotten. She took the pieces out, polished them and arranged them on a table but the following week they were back in their cupboard and she was left to dust the loathsome Staffordshire spaniels.

The eighteenth century cow creamer came home first – it looked lovely under Mavis’ lamp in her front room. Next came the owls cruet set and the Mappin and Webb porringer; a tiny snuff box with an enamel lid (in which Mavis kept her sweeteners); an ivory handled paper knife, a pair of Victorian berry spoons and the Paul Storr coffee pot, in use every day since.  What Mavis was doing with Mr Hennessy’s collection couldn’t be classed as stealing, she told herself: it was appreciating.

What do you collect?

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You can divide people up in various ways: political bias; meat and non-meat eaters; extrovert, introvert; artists, scientists – the list goes on and on but there’s one area that separates those of us that are with those who aren’t; those who have and those who haven’t and those people who do and those who definitely do not.
I’m not talking wealth here, I’m not talking opportunity; I’m talking Arctophiles. I’m one, so is my mother; my sister, not so much; my husband – absolutely not. What am I talking about, you may wonder? It’s bears; Teddy Bears to be precise.

EMy childhood bears snuggle up together in my bedroom like three old gentlemen snoozing in leather chairs at their private club after a satisfying luncheon followed by copious balloons of brandy. They’ve done their job as chief confidantes and now, in their twilight years, are enjoying a bit of peace and quiet. They’ve survived the ravages of being over-loved; their stuffing, in some cases, a distant memory; their leather pads wearing through. With failing sight through chipped brown eyes, they can sit back, relax, content in the knowledge that they will be rescued first in the event of major disaster.
We Arctophiles share an understanding of the friendship a bear can bring, and this was never brought home to me more than when I went to see Grayson Perry’s exhibition, “The Tomb of the Unknown Craftsman”, at the British Museum last year. The exhibition was a pilgrimage through civilisation with artefacts from the Museum’s archive chosen by Grayson to illustrate the everyday art and craftsmanship of the common man, alongside which Grayson displayed his own unique pots, sculptures and tapestries.
As a young boy, Grayson invented a fantasy world with his teddy, Alan Measles, during which time the bear was the only constant thing in an often turbulent childhood. Grayson thought that if he was to create a pilgrimage through time, he should have a god to worship, and who better than Alan to fulfil the role.
Alan was to preside over the exhibition at the BM, but when it came to it, Grayson wouldn’t allow Alan out on his own and appointed a stunt double. Non-Arctophiles will think this is ridiculous – if the BM can house priceless works of art safely, then surely it can look after a threadbare stuffed toy. Well, no, it can’t. Bears can only be looked after by their owners: they are far too precious to be let loose in public, although Grayson did take Alan on a road trip to Bavaria on Grayson’s rather eye-catching motorbike.
The “Tomb of the Unknown Craftsman” was, I thought, wonderful, made all the more so because I had discovered a kindred spirit. I’m waiting impatiently for Grayson’s next project to materialise. I might, just might, take Favourite, my art-appreciating bear, with me. He and Alan would get along just fine.Grayson-Perry-on-his-Bike-006[1]

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