Posts Tagged ‘West Sussex’

Haven’t been blogging much of late. You might have noticed. Due to major engineering works on my train line into London during the whole of my long summer holiday,  I was effectively grounded. They may well have been improving the platform lengths at Waterloo but this caused my cultural growth to be temporarily truncated. I wanted a break and I didn’t particularly want to write so I turned my focus homeward and spent my entire summer decorating, gardening and up-cycling old furniture. I had a thoroughly enjoyable five weeks, rolling out of bed straight into painting clothes, hair unbrushed and just getting on with it. More about that another time – I really must get back to some writing now the darker evenings  are drawing closer – but for now, here’s a post I found yesterday, semi-forgotten and half written in my WordPress draft box. 

And so it came to pass that, with temporary membership in hand, I left Sissinghurst (see previous post) and wended southwards to Lewes. Now Nationally trussed and fully paid up with guide book in glove compartment, I decided to check out Virginia Woolf’s house.

The journey took me through some stunning Sussex countryside and as I bowled happily along the A27, listening to my Rolling Stones compilation with my intended destination only a few miles away, I remembered somewhere else I needed to see first. A couple of years ago I visited Charleston – the beautiful home of Bloomsbury Group artist Vanessa Bell and, not so coincidentally, the sister of Virginia Woolf.  The place was so enchanting that I ran out of time to see nearby Bewick church, the interior of which was decorated by Vanessa, her son Quentin Bell and her lover, Duncan Grant.

I turned off the main road down a very narrow country lane and found the tiny church behind an old stone wall.

There was no one about; I had the place to myself.

From the outside, the building looks pretty much like any other small rural country church, but inside is a wonder to behold.

Not only are the walls adorned with these fantastic murals, the pulpit also retains its original Bloomsbury design. 

Pleased I’d made the minor detour, I sallied forth (I’ve always wanted to say that: it seems to fit in here) to the tiny village of Rodmell, just south of Lewes in East Sussex. It was devilishly difficult to find. Usually there are plenty of brown signs indicating a tourist attraction but there were none.  I’d consulted the map before I’d set off. When I say map, I mean a paper one. I don’t have or want a Sat Nav although I do use Google Maps to help plan a journey beforehand but on the road I stick to my trusted old, much thumbed, AA version that is unravelling from its spring binder. The old-fashioned way worked a treat. At the end of a narrow village lane, encrusted with soil deposited by recent tractor wheels, I discovered Monks House, the 17th century country retreat of Virginia Woolf and her husband, Leonard.

The house is small and unassuming, set in a garden which was a riot of colour when I visited. Bought by Virginia and her husband during the 1920’s as a bolthole from their increasingly busy London life, the couple added to and improved the house over the years until in 1940, they began living there full time after their London apartment was damaged during wartime bombing.

The living room is a mismatch of colour, pattern and styles…but it works.

 

The delicate painting on the backs of these dining chairs is the work of Virginia’s sister, Vanessa Bell.

And I can’t resist a jumble of plates and miscellanea on an old dresser.

Virginia’s bedroom is approached by its own door from the outside – an extension to the original building. One immediately gets the sense of her own private domain. It is a shame that none of the books filling the shelves actually belonged to Virginia – especially as the volunteer guide cheerily informed me that when the Trust took the place over the house was crammed full of the couple’s reading material: it literally was stacked all over the place, their shelves having long since proved inadequate. On closer scrutiny of the books  displayed, I discovered that most of them were titles printed after Virginia’s death. This kind of lack of attention to detail really infuriates me so when, later on, I was wandering around the garden and another kindly volunteer, dressed as who I can only assume was supposed to be Lytton Strachey, asked me if I’d like to listen to his reading of part of one of Virginia’s novels, I declined.

Above – two views of the stunning garden and out to the orchard behind. Beyond this is the river where, on 28 March 1941, Virginia drowned herself by wading out, her pockets filled with pebbles.

This painting of Virginia by her sister, Vanessa Bell, hangs in the living room of the house. I wondered what her state of mind was when it was painted. She has a troubled look doesn’t she? She struggled with depression all her life.

As I left the peaceful village of Rodmell and drove home on a glorious early summer evening, I pondered the link between depression and the highly creative. It seems to haunt so many people who have brought great art (in whatever form) to the world. I found this article which made interesting reading.

There is, it seems, a high price to pay for prolific creativity.

Now back to my furniture…

 

 

 

 

 

 

 

 

 

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We had reason to visit Horsham in West Sussex this weekend, a not too distant town, on a drop off mission and en route to somewhere else. Imagine how interested I was then that, quite by coincidence, I happened to read in the Times last Friday that Horsham is one of the happiest places to live in Britain. According to property experts. Well, what do they know?

Driving round the ring road nose to tail certainly doesn’t provide one with an immediate impression of happiness. Soulless buildings, a multitude of insurance head-offices with minimal corporate planting of unsuitable tropical greenery in dreary brick-built window boxes only serve to highlight how out of place such architecture is in a West Sussex market town. At least, that’s how the property experts market it: a Market Town. I wonder what constitutes a market town these days – a yokel in a white smock shepherding a herd of swine across a local stream with waddling geese in their wake, a loaded hay-wain in the background?  (I didn’t see any of those). Or a few barrels of cider and a cheese stall, displayed on straw to make it look rustically authentic?  Horsham would appear to favour the latter. (The fruit and veg stall we swiftly passed was selling Spanish strawberries and asparagus from Peru. But I’m getting ahead of myself here).

Eventually we arrived at a multi-story car park. Which was sporting a new ticketless parking system called Smart Park.

Oh, Horsham is nothing if not cutting edge. The technological advances pounced on by the local district council here knows no bounds.

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apologies for the poor quality – snapped quickly on my phone…

 

A camera photographs your number plate on entry and then all you have to do after a successful (or not) morning’s shopping, on your return to the car park, is remember your registration number. Because to release your car from this concrete hell hole you must tap your number into a machine, pay your dues and then, when you get to the exit barrier in your vehicle, your car will be automatically recognised and you’ll be let through. Allegedly.

 

In practise, it was utter chaos. In front of the only two machines were two snaking queues of glazed-eyed shoppers wearily waiting to key in their numbers behind other shoppers who had clearly forgotten theirs. They appeared as discombobulated as would-be apocalypse survivors, nervously jingling their change while mouthing a series of numbers and letters as if their lives depended on it.

When we eventually got back to our car we then had to wait in a jolting line of other vehicles attempting to make it through the barrier. One driver several cars ahead of us left his vehicle and remonstrated loudly with a young chap wearing a ‘happy to help’ high-viz jacket. Well, at least he was trying to promote happiness. I can’t imagine his feeling of well being will last long though, with constant verbal abuse from frustrated car drivers.

I counted four of these high-viz-happy-to-help attendants. How can that be cost effective? Surely one person, employed to replace a ticket roll and empty the machine, is a cheaper option than four people required to placate angry shoppers. Not to mention the cameras at bumper level that have been installed and connected to the state of the art machines that are causing all the angst amongst Horsham’s happy crowd.

Now, before any Horshamites take umbrage I’d like to make it clear that I have nothing against Horsham. I’m not criticising the place: it’s a perfectly nice town. It has all the shops you’d expect plus plenty of cafes and eateries. There is a bandstand around which several market stalls sell a range of produce. The buildings are a mix of old, not so old and new. I just don’t like their parking system. (Or the ring road but then to be fair, most places have one of those).  I’d still like to know what makes it a happier place to live than say, Guildford, which seems to me to be a reasonably happy place to be. Let’s just hope our Borough Council doesn’t adopt this Smart Park idea. Happiness could plummet over night.

 

 

 

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